About
Obro Art Gallery. |
Hans,
Martin and Josephine Rydeng. About the people behind Obro Art Gallery. |
The
Rydeng family History and background About N.P Rydeng, Finnish expressionism and much more... |
|
|
The Rydeng family history and background :
|
The
interest of art collecting in the Rydeng family began with Niels-Peder
Rydeng around 1905. Niels-Peder who came from a humble background, had
traveled to Berlin and Vienna around the 1890ties looking for work as
a tailor. During his travels he browsed the different exhibitions and
there he got introduced to early German modernism and expressionism. It
was also around this time when Niels-Peder first saw the works by Edvard
Munch at the November Exhibition in 1892. The Munch exhibition made a
deep impact on Niels-Peder and influenced his collecting all through his
life. |
In 1905 Niels-peder opened his own tailor-shop in Ellsinore, Denmark where he by coincidence hired the Finnish artist Tyko Sallinen (1879-1955) who was working as a tailor at the time.
Sallinen wrote to his artist friends telling about Niels-peders generousness and how he got free room and border in exchange for paintings. The word quickly spread and soon more Finnish artists turned up. Among them were Juhu Mäkelä (1885-1943), Jonas Peson (1887-1952) , Jalmari Ruokokoski (1886–1936) and William Lönnberg (1887–1949). |
Jalmari
Ruokokoski (1886–1936). Ruokokoski arrived at Elsinore in December 1912. The calm picturesque surroundings in Elsinore and the house of Rydeng fitted the young Ruokokoski very well. There Ruokokoski was overcome by an irresistible urge to paint. In five weeks he produced about 60 paintings, where mostly was portraits of the Rydeng children as well as land and seascapes from Elsinore and Copenhagen. |
Ruokokoski
had a particular strong fascination by Mrs. Valborg Rydeng, whose beauty
he compared to a Mona Lisa of the north. Many amusing stories about Ruokokoski
have since been passed on in our family. One is a story about when Ruokokoski
went to town after work. Upon his return in the mornings he always told
the most extraordinary stories. There was no end to the amazing things
he had experienced during the nights. One day when Niels-Peder Rydeng
was in town he heard from the locals that nothing ever happened and that
no one remembered the unique events that Ruokooski had talked about. Later
Niels-Peder Rydeng confronted Ruokokoski and asked why he kept telling
amazing stories if nothing happened? Ruokokoski smiled and quietly replied
“ Jamen, Snille Hr. Rydeng, sanheten är jo sä träkig”
( But, dear Mr. Rydeng….The truth is so boring ). Ruokokoskis stay
in Elsinore had a great impact on the Rydeng family. His bold expressive
works were very much adored by Niels-Peder Rydeng and Ruokokoskis personality
and charisma brightened up the small town while he lived there. In February
1912, Ruokokoski returned to Finland where he exhibited his Elsinore works
at the Ateneum. Upon his depart from Elsinore, Niels-Peder Rydeng made
an elegant suit for him to wear at the exhibition. The friendship between
Rydeng and Ruokokoski continued after his depart in 1912 and Ruokokoski
returned to Elsinore many times for briefer visits. |
|
Niels-Peder Rydeng with wife and children. |
|
-------
|
The November group: The Finnish Expressionist colony. It was in the Rydeng tailor shop in Ellsinore where the Finnish artists movement ” The November group” first was founded in 1910. Its leader was Tyko Sallinen (1879-1955) and other members included Marcus Collin (1882–1966), Alvar Cawén (1886–1935), Jalmari Ruokokoski (1886–1936) and William Lönnberg (1887–1949). The November group caused the greatest ever uproar in Finnish art during the early 19th century. In the Finnish art of its age it represented everything that was ugly, incompetent, distorting and primitive. Today the movement is considered one of the most important and influenced periods ever founded in Finnish art |
Tyko Sallinen (1879-1955) |
Jalmari Ruokokoski (1886–1936) |
Alvar Cawén (1886–1935) |
Marcus Collin (1882–1966) |
William Lönnberg (1887–1949) |
|
The
art-loving tailor, Niels-peder Rydeng, had by the 1920ties, one of the
largest modern art collections ever seen in Scandinavia. Niels-peder Rydeng
was not a wealthy man, and most of his life he could only acquire art
through untraditional methods. Among
the many visitors in his house were modern artists like; Edvard, Munch,
Olouf höst, Edvard weie, J.F Willumsen, Sigurd Swane, Borge L. Knudsen,
Folmer Bonnén and Karl Isakson. |
The N.P Rydeng guestbook from 1920, with scetches
and signatures of the many visiting modern artists of the time.
History of Danish Jews during the occupation 1939-1945. On the 9th of April 1940 at about 04.15 in the morning, 40.000 German Troops invaded Denmark. The entire army of Denmark was then only about 14.500 men, where 8000 of them were young recruits. Outnumbered and caught by surprise, Danish soldiers fought back until the Danish King officially surrounded at 06.00 after 2 hours of fighting. Shortly after Norway was invaded, while Sweden remained neutral. From 1939 – 1943, Danish Jews and Jewish refugees living in Denmark were relativity safe since there were no talk about deportation or removable yet. About 7.500 Jews lived in Denmark in 1940. In August, 1943, a state of emergency was declared in Denmark, and the Nazis decided that they could now move against the Jews. In September Hitler approved the deportation of the Danish Jews. Werner Best of the SS, Hitler's chief in Denmark, received the final order to precede with deportation of Jews to death camps, on Sept.28, 1943. The Nazis were prepared to deport the 7,500 Jews, starting at 10 PM. on Oct. 1, 1943. One of the great Stories about the Danes during World War 2 is that the message about the deportation was intercepted by the Danish resistance about 3 weeks before and thus began one of the largest rescue missions ever known in Danish history. Within three weeks, about 7,000 Jews and another 700 non-Jewish relatives were taken to Sweden. This huge operation was founded by both Jews and Danes from all classes. The church, police officers, fishermen and numerous common Danish people all worked together, providing safe houses and boats for the Jews. Nevertheless, about 500 Jewish men, women, and children were captured and deported to Theresienstadt. The Danish government did all they could for the 500 Danish Jews in Theresienstadt. Food parcels was shipped and the ministry also put forward a demand that a Danish delegation could be allowed to visit the Danish Jews. All most all Jews in Theresienstadt were later sent to death camps like Auschwitz. However due to pressure and protest from the Danish Government, none of the 500 Danish Jews were moved. About 60 Danish Jews died while living in Theresienstadt. The rest happily survived and was picked up by the Danish and Swedish Governments at the liberation in may 1945. Denmark has since been known for being the country in Europe who managed to save the highest number of Jews during World War 2.
|